Wednesday, May 6, 2020

Culture of Great Britain free essay sample

Contentss 1 Artistic and cultural life in Britain. 2 Inigo Jones and Christopher Wren. 3 Westminster Abbey. 4 St. Paul # 8217 ; s Cathedral. 5 The Tower of London. 6 Festivals of music and play. 7 The Bath Festival. 8 The Chichester Theatre Festival. 9 The Welsh Eisteddfod. 10 The EdinburgFestival. 11 The national musical instrument of the Scots. 12 Music and instrumentalists. 13 Art Galleries. 14 The art of moving. 15 British Drama Theatre today. CULTURE of GREAT BRITAIN Artistic and Cultural Life in Britain Artistic and cultural life in Britain is instead rich. It passed several chief phases in its development. The Saxon King Alfred encouraged the humanistic disciplines and civilization. The main debt owed to him by English literature is for his interlingual renditions of and commentaries on Latin plants. Art, civilization and literature flowered during the Elizabethan age, during the reign of Elizabeth I ; it was the period of English domination of the oceans. It was at this clip that William Shakespeare lived. The imperium, which was really powerful under Queen Victoria, saw another cultural and artistic hey-day as a consequence of industrialization and the enlargement of international trade. But German air foraies caused much harm in the First World War and so during the Second World War. The lunacy of the wars briefly interrupted the development of civilization. Immigrants who have arrived from all parts of the Commonwealth since 1945 have non merely created a mixture of states, but have besides brought their civilizations and wonts with them. Memorials and hints of past illustriousness are everyplace. There are edifices of all manners and periods. A great figure of museums and galleries display cherished and interesting discoveries from all parts of the universe and from all phase in the development of nature, adult male and art. London is one of the prima universe Centres for music, play, opera and dance. Festivals held in towns and metropoliss throughout the state pull much involvement. Many British dramatists, composers, sculpturers, painters, authors, histrions, vocalists and terpsichoreans are known all over the universe. Inigo Jones and Christopher Wren Inigo Jones was the first adult male to convey the Italian Renaissance manner to Great Britain. He had studied in Italy for some old ages, and in 1615 became Surveyor-General of the plants. The manner he built in was pure Italian with as few alterations as possible. His edifices were really un-English in character, with on a regular basis spaced columns along the forepart. His two most radical designs were the Banqueting House in Whitehall and the Queen s House at Greenwich. The program of the latter, wholly symmetrical, with its rigorous classical inside informations and the principal suites on the first floor, influenced architecture in Britain. But non during the life-time of Inigo Jones. All those who followed him had to accommodate this new foreign edifice technique to English ways and English clime, English edifice stuffs and English craftsmen. Christopher Wren was the adult male who did it. He was a mathematician, an uranologist and, above all, an discoverer. He invented new ways of utilizing traditional English edifice stuffs, brick and ordinary roofing tiles, to maintain within the bounds of classical design. He, like Inigo Jones, was appointed Surveyor-General to the Crown when he was about 30 old ages old, and about instantly he started reconstructing the churches of London, burnt down in the Great Fire of 1666. Wren s churches are chiefly known by their beautiful steeples, which show in their construction the greatest technology cunning.But Ch. Wren besides influenced the design of houses, both in town and in the country.The best-known edifices designed by Ch. Wren are St. Paul s Cathedral in London and the Sheldonion Theatre in Oxford. The period of the Industrial Revolution had no natural manner of its ain. Businessmens wanted art for their money. The designer was to supply a frontage in the Gothic manner, or he was to turn the edifice into something like a Norman palace, or a Renaissance castle, or even an Oriental mosque. For theaters and opera houses the theatrical Baroque manner was frequently most suited. Churchs were more frequently than non built in the Gothic manner. The 20th century has seen great alterations in Britain s architecture. St. Paul # 8217 ; s Cathedral It is safe to state that the three most celebrated edifices in England are Westminster Abbey, the Tower of London and St. Paul s Cathedral. St. Paul s Cathedral is the work of the celebrated designer Sir Christopher Wren. It is said to be one of the finest pieces of architecture in Europe. Work on Wren s chef-doeuvre be # 173 ; gan in 1675 after a Norman church, old St. Paul s, was de # 173 ; stroyed in the Great Fire of 1666. For 35 old ages the edifice of St. Paul s Cathedral went on, and Wren was an old promenade before it was finished. From far off you can see the immense dome with a aureate ball and cross on the top. The inside of the Cathedral is really beautiful. It is autumn of memorials. The most of import, possibly, is the 1 dedicated to the Duke of Wellington. After looking unit of ammunition you can mount 263 stairss to the Whispering Gallery, which runs round the dome. It is called so, because if person susurrations near to the wall on one side, a individual with his ear near to the wall on the other side can hear what is said. But if you want to make the pes of the ball, you have to mount 637 stairss. As for Christopher Wren, who is now known as # 8216 ; the designer of London # 8217 ; , he found his celebrity merely after his decease. He was buried in the Cathedral. Buried here are Nelson, Wellington and Sir Joshua Reynolds. Those who are interested in English architecture can analyze all the architectural manners of the past 500 or 600 old ages in Cambridge. The Chapel of King # 8217 ; s College is the most beautiful edifice in Cambridge and one of the greatest Gothic edifices in Europe. It is built in the Perpendicular manner. Its foundation rock was laid in 1446, but it was completed 69 old ages subsequently. The inside of the Chapel is a individual exalted aisle and the stonework of the walls is like lacing. The Chapel has a fantastic fan-vaulting which is typical of the churches of that clip. We admire the accomplishment of the designers and trades work forces who created all these fantastic edifices. Westminster Abbey Westminster Abbey is a all right Gothic edifice, which stands opposite the Houses of Parliament. It is the work of many custodies and different ages. The oldest portion of the edifice day of the months from the 8th century. It was a monastery the West Minster. In the eleventh century Edward the Confessor afteryears spent in France founded a great Norman Abbey. In 200 old ages Henry III decided to draw down the Norman Abbeyand construct a more beautiful one after the manner so balling in France. Since so the Abbey remains the most Gallic of all English Gothic churches, higher than any otherEnglish church ( 103 pess ) and much narrower. The towers were built in 1735-1740. One of the greater glorifications of the Abbey is the Chapel of Henry VII, with its delicate fan-vaulting. The Chapel is of rock and glass, so wondrous cut and sculptured that it seems unreal. It contains an interesting aggregation of blades and criterions of the # 8216 ; Knights of the Bath # 8217 ; . The Abbey is celebrated for its stained glass. Since the faraway clip of William the Conqueror Westminster Abbey has been the coronating topographic point of the male monarchs and Queenss of England. The Abbey is sometimes compared with a mausoleum, because there are graves and commemorations of about all English sovereigns, many solons, celebrated scientists, authors and instrumentalists. If you go past the brilliant gravestones of male monarchs and Queenss, some made of gold and cherished rocks, past the gold-and-silver streamers of the Order of the Garter, which are hanging from the ceiling, you will come to Poets # 8217 ; Corner. There many of the greatest authors are buried: Geoffrey Chaucer, Samuel Johnson, Charles Dickens, Alfred Tennyson, Tho # 173 ; mas Hardy and Rudyard Kipling. Here excessively, though these authors are non buried in Westminster Abbey, are commemorations to William Shakespeare and John Milton, Burns and Byron, Walter Scott, William Makepeace Thackeray and the great American poet Henry Wadsworth Longfellow. Here in the Abbey there is besides the Tomb of the Unknown Warrior, a symbol of the state # 8217 ; s heartache. The lettering on the grave reads: # 8216 ; Beneath this rock rests the organic structure of a British Warrior terra incognita by name or rank brought from France to lie among the most celebrated of the land # 8217 ; In the Royal Air Force Chapel there is a memorial to those who died during the Battle of Britain, the celebrated and decisive air conflict over the district of Britain in the Second World War. The Tower of London The Tower on the north bank of the Thames is one of the most ancient edifices of London. It was founded in the 11thcentury by William the Conqueror. But each sovereign left some sort of personal grade on it. For many centuries the Tower has been a fortress, a castle, a prison and royaltreasury. It is now a museum of weaponries and armor and as one of the strongest fortresses in Britain, it has the Crown Jewels. The gray rocks of the Tower could state awful narratives of force and unfairness. Many sad and barbarous events took topographic point within the walls of the Tower. It was here that Thomas More, the great humanist, was falsely accused and executed. Among celebrated captives executed at the Tower were Henry VIII s married womans Ann Boleyn and Catherine Howard. When Queen Elizabeth was a princess, she was sent to the Tower by Mary Tudor ( # 8216 ; Bloody Mary # 8217 ; ) and kept captive for some clip. The Corvus coraxs whose sires used to happen nutrient in the Tower still live here as portion of its history. There is a fable that if the Corvus coraxs disappear the Tower will fall. That is why the birds are carefully guarded. The White Tower was built by William the Conquerorto protect and command the City of London. It is the oldest and the most of import edifice, surrounded by other towers, which all have different names. The Tower is guarded by the Yeomen Warders, popularly called # 8216 ; Beefeaters # 8217 ; . There are two letters, E.R. , on the frontof their adventitias. They stand for the Queen s name ElizabethRegina. The uniform is as it used to be in Tudor times. Their mundane uniform is black and ruddy, but on province occasions they wear a ceremonial frock: all right ruddy province uniforms with the aureate and black chevrons and the broad lacing neckband, which were in manner in the sixteenth century. Every dark at 10 p.m. at the Tower of London the Ceremony of the Keys or locking up of the Tower for the near takes topographic point. It goes back to the Middle Ages. Five proceedingss before the hr the Headwarder comes out with a clump of keys and an old lantern. He goes to the guardhouse and calls: # 8216 ; Escort for the keys # 8217 ; . Then he closes the three Gatess and goes to the lookout, who calls: # 8216 ; Halt, who comes at that place? # 8217 ; Headwarder answers: # 8216 ; The Keys # 8217 ; . # 8216 ; Whose Keys? # 8217 ; demands the lookout. # 8216 ; Queen Elizabeth s Keys # 8217 ; , comes the reply. # 8216 ; Advance Queen Elizabeth s Keys. All s good # 8217 ; . The keys are eventually carried to the Queen s House where they are safe for the dark. After the ceremonial everyone who approaches the gate must give the watchword or turn away. Festivals of Music and Drama Post-war old ages have witnessed a important addition in the figure of festivals of music and play though non plenty has been done to affect the general populace in these activities. Some of the festivals, nevertheless, are widely popular and it is with these that the book trades. A figure of other festivals of music and play, less good known but sufficiently of import to be mentioned, are besides included in the list below. The Bath Festival The figure of festivals held in Britain every summer goes on and on increasing but few are every bit good established or extremely thought of, peculiarly in the wider European scene, as the Bath Festival. In June when the metropolis is at its most beautiful the festival attracts some of the finest instrumentalists in the universe to Bath, every bit good as 1000s of visitants from Britain and abroad. Under the artistic way of Sir Michael Tippett, composer, music director and one of the greatest heads in British music today, the festival presents a programme of orchestral and choral concerts, vocal and instrumental narrations and chamber music, so good suited to the beautiful 18th century halls of Bath. The scope of music included is broad and immature performing artists are given chances to work with some of the taking names in their Fieldss. But the festival is non all music. The programme normally includes talks and exhibitions, sometimes concert dance, opera, play, or movies, every bit good as Tourss of Bath and the environing country and houses non usually open to the populace, frequently a costume ball, possibly poetry the assortment is eternal. Much goes on in the metropolis at festival clip and many administrations produce a bewildering complexness of events to provide for all gustatory sensations from bike races and beer gardens to a gigantic one twenty-four hours festival of common people and blues. The Chichester Theatre Festival The celebrity achieved by the Edinburgh Festival, to state nil of the big figure of visitants that it brings every twelvemonth to the Scots capital, has encouraged many other towns in Britain to organize similar festivals. Those at Bath, Cheltenham and Aldeburgh have all become considerable artistic successes, even if they have nt brought every bit much concern to these towns as the local tradesmans had hoped for. The latest festival town to fall in the list is Chichester, which has earned a great trade of prestigiousness by edifice, in record clip, a big theater keeping over one thousand five 100 people. Here will be held each twelvemonth a theater festival in which many stars from the London phase will be eager to take part. The first season scored a considerable success. The repertory consisted of an old English comedy, a sixteenth- century calamity and a production of Chekhov s # 8220 ; UncleVanya # 8221 ; in which every portion was taken by a top star. But the main involvement of the Chichester Festival is the new theater itself, which has an apron phase. Most of you will cognize that the apron phase, which was common in Shakespeare s twenty-four hours, undertakings out into the auditorium. With an apron phase there is no apron arch, or phase sets of the sort we are used to in the modern theater. This calls for the usage of an entirely different technique on the portion both of the participants, who have their audience on three sides of them alternatively of merely in forepart, and the manufacturer. The participants must do proper usage of their voices, which, to a coevals accustomed to muttering into mikes, is non easy. C hichester itself is a little state town in the bosom of Sussex, and the theater stands on the border of a beautiful park. Unlike Glyndebourne where the full audience wears flushing frock, the apparels worn by the audience at Chichester are much less formal ; but as the festival is held in the summer the pretty frocks of the adult females make an attractive image as they stand and dish the dirt outside the theater during the intervals, or snap headlong refreshments from their autos in the park. The Welsh Eisteddfod No state in the universe has a greater love of music and poesy than the people of Wales. Today, Eisteddfod is held at tonss of topographic points throughout Wales, peculiarly from May to early November. The wont of keeping similar events dates back to early history and there are records of competitions for Welsh poets and instrumentalists in the 12th century. The Eisteddfod sprang from the Gorsedd, or National Assembly of Bards. It was held on occasion up to 1819, but since so has become an one-year event for the encouragement of Welsh literature and music and the saving of the Welsh linguistic communication and ancient national imposts. The Royal National Eisteddfod of Wales is held yearly early in August, in North and South Wales alternately, its existent locale changing from twelvemonth to twelvemonth. It attracts Cambrian people from all over the universe. The programme includes male and assorted choirs, brass-band concerts, many kids s events, play, humanistic disciplines and trades and, of class, the ceremonial of the Crowning of the Bard. Next in importance is the great Llangollen International Music Eisteddfod, held early in July and attended by rivals from many states, all have oning their picturesque and frequently colorful national costumes. It is an event likely without parallel anyplace in the universe. There are at least 25 other major Eisteddfods from May to November. In add-on to the Eisteddfod, about 30 major Welsh Singing Festivals are held throughout Wales from May until early November. The Edinburgh Festival It is a good thing that the Edinburgh Festival hits the Scots Capital outside term clip. Not so much because the University inns and pupils # 8217 ; digs are needed of provide adjustment for Festival visitants but because this most stimulating juncture allows no clip for anything mundane. It gives intelligent recreation for most of the 20 four hours each weekday in its three hebdomads ( it is non tactful to inquire about Sundays you explore the environing terrain so ) . The programmes ever include some of the finest chamber music ensemble and soloists in the universe. There are plentifulness of matinees ; flushing concerts, opera, play and concert dance public presentations normally take topographic point at conventional times but the floodlighted Military Tattoo at Edinburgh Castle evidently does nt get down till after twilight, and tardily dark amusements and the Festival Club can take you into the early hours of the forenoon. In recent old ages, approximately 90,000 people have flocked into Edinburgh every twelvemonth during the three hebdomads at the terminal of August and early September. The 90,000, of class, does non include the really big Numberss of people who discover pressing grounds for sing their Edinburgh dealingss about this clip, nor the many 1000s who come into the metropolis on twenty-four hours trips from all over the state. They would nt all come, twelvemonth after twelvemonth, to a metropolis bursting to capacity if they did nt happen the journey eminently worth-while. They find in Edinburgh Festival the great orchestras and soloists of the universe, with top-class opera thrown in ; celebrated concert dance companies, art exhibitions and taking play ; the Tattoo, whose dramatic coloring material inspires many a hurried claim to Scottish lineage. Since the Festival started in 1947 as a gesture of the Scots Renaissance against post-war asceticism, much has blossomed around it. Every hall in the metropolis is occupied by some recreation: and you may happen Shakspere by perforating an antediluvian near off the Royal Mile, or plain-song in a local church. Fringe events bring executing organic structures from all over Britain and beyond, and pupil groups are ever outstanding among them, responsible frequently for interesting experiments in the play. Then there is the International Film Festival, conveying docudramas from possibly 30 states ; Highland Games, and all kinds of other gambits from marionette to exposure shows. The National Musical Instrument of the Scots The bagpipewas known to the ancient civilizations of the Near East. It was likely introduced into Britain by the Romans. Carvings of bagpipe participants on churches and a few words about them in the plants of Chaucer and other authors show that it was popular all over the state in the Middle Ages. Now bagpipes can be seen and head merely in the northern counties of England, in Ireland and in Scotland where it was introduced much later. Bagpipes have been used badly most European states. It is besides native to India and China. In Scotland the bagpipe is foremost recorded in the sixteenth century during the reign of James I, who was a really good participant, and likely did much to do it popular. For long it has been considered a national Scottish instrument. The sound of the bagpipes is really rousing. The old Highland kins and subsequently the Highland regiments used to travel into conflict to the sound of the bagpipes. The bagpipe consists of a reed pipe, the # 8216 ; melody pipe # 8217 ; , and a gasbag, which provides a regular supply of air to the pipe. The trachea is filled either from the oral cavity or by a bellows, which the participant works with his arm. The melody pipe has a figure of holes or keys by agencies of which the melody is played. Music and Musicians The peopleliving in the British Isles are really fond of music, and it is rather natural that concerts of the taking symphonic music orchestras, legion folic groups and pop music are really popular. The Promenade concerts are likely the most celebrated. They were first held in 1840 in the Queen s Hall, and subsequently were directed by Sir Henry Wood. They still con # 173 ; tinue today in the Royal Albert Hall. They take topographic point electron volt # 173 ; ery dark for about three months in the summer, and the programmes include new and modern-day plants, every bit good as classics. Among them are symphonic musics and other pieces of music composed by Benjamin Britten, the celebrated English instrumentalist. Normally, there is a short winter season enduring for about a two weeks. The audience may either listen to the music from a place or from the # 8216 ; promenade # 8217 ; , where they can stand or saunter approximately, or, if there is room, sit down on the floor. Concerts are seldom given outdoorss today except for concerts by brass sets and military sets that play in the Parkss and at seaside resorts during the summer. Folk music is still really much alive. There are many disgusting groups. Their harmoniousness vocalizing and good temper win them friends everyplace. Rock and pop music is highly popular, particularly among younger people. In the 60s and 70s groups such as the Beatles, the Rolling Stones, the Who, Led Zeppelin and Pink Floyd became really popular and successful. The Beatles, with their manner of singing new and excit # 173 ; ing, their fantastic sense of temper became the most successful dad group the universe has of all time known. Many of the celebrated vocals written by John Lennon and Paul McCartney are still popular. Some of the more recent stone groups are Eurhythmics, Dire Straits, and Black Sabbath. British groups frequently set new tendencies in music. New staff and manners continue to look. One of the most popular modern-day instrumentalists and composers is Andrew Lloyd Webber. The musicals and stone operas by A. L. Webber have been a great success both in Britain and overseas. The celebrated English composer of the nineteenth century was Arthur Sullivan. Together with William Gilbert, the author of the texts, he created 14 light operas of which eleven are on a regular basis performed today. In these operettas the English so successfully laugh at themselves and at what they nowcall the Constitution that W. S. Gilbert and A. Sullivan will ever be remembered. ArtGalleries If you stand inTrafalgar Square with your dorsum to Nelson s Column, you will see a broad horizontal forepart in a classical manner. It is the National Gallery. It has been in this edifice since 1838 which was built as the National Gallery to house the aggregation Of Old Masters Paintings ( 38 pictures ) offered to the state by an English Private aggregator, Sir George Beamount. Today the image galleries of theNational Gallery of Art exhibit plants of all the Euro # 173 ; pean schools of picture, which existed between the 13th and 19th centuries. The most celebrated plants among them are # 8216 ; Venus and Cupid # 8217 ; by Diego Velazquez, # 8216 ; Adoration of the Shepherds # 8217 ; by Nicolas Poussin, # 8216 ; A Woman Bathing # 8217 ; by Harmensz new wave Rijn Rembrandt, # 8216 ; Lord Heathfield # 8217 ; by Joshua Reynolds, # 8216 ; Mrs Siddons # 8217 ; by Thomas Gainsborough and many others. In 1897 the Tate Gallery was opened to house the more modern British pictures. Most of the National Gallery aggregations of British pictures were transferred to the Tate, and merely a little aggregation of a few chef-doeuvres is now exhib # 173 ; ited at Trafalgar Square. Thus, the Tate Gallery exhibits a figure of interesting aggregations of British and foreign modern picture and besides modern sculpture. The aggregation of Turner # 8217 ; s pictures at the Tate includes about 300 oils and 19,000 watercolors and drawings. He was the most traditional creative person of his clip every bit good as the most original: traditional in his devotedness to the Old Masters and original in his creative activity of new manners. It is some # 173 ; times said that he prepared the manner for the Impressionists. The modern aggregation includes the pictures of Henri Matisse and Pablo Picasso, Marc Chagall and Salvador Dali, Francis Bacon and Graham Sutherland, Peter Blake and Richard Hamilton, the main innovators of pop art in Great Britain. Henry Moore is a celebrated British sculpturer whose plants are exhibited at the Tatetoo. One of the sculpturer s chef-doeuvres the # 8216 ; Reclining Figure # 8217 ; is at fees Headquarters of UNESCO in Paris. The Art of Acting From the autumn of the Roman Empire until the tenth century, moving barely existed as an art in Western Europe ; merely the roving folk singers gave amusement in palaces and at carnivals. In England, the first existent histrions were amateurs who performed Miracle and Morality dramas, which were spiritual in character. In the Elizabethan age, the first professional theaters were opened. At the clip of Shakespeare there were at least six com # 173 ; panies of histrions. Shakespeare himself joined the Earl of Leisester s company, which under James I became known as the # 8216 ; King s Men # 8217 ; . There were besides companies of boy histrions. All the adult females s parts were played by male childs. It was really hard for most histrions to gain a liv # 173 ; ing on the phase, even in a London company, and many of them fell into debt. When Shakespeare arrived in London in 1586, the playing was really rough and conventional. There was about no scenery, and the histrions were dress ed in the costumes of their twenty-four hours. But when # 8216 ; The Globe # 8217 ; was opened to the populace in 1599, it started the aureate age of the theater in England. In the first half of the seventeenth century the influence of the Puritans was bad for the popular theater, and it was non before the Restoration of the monarchy in 1660 that theatre traveling once more became a popular wont. The most popular dramas were comedies. The first portion played by an actress was that of Desdemona. Nell Gwynn was the first English actress. By the beginning of the eighteenth century the most popular type of drama was the sentimental comedy. The playing was unreal likely due to the influence of Gallic histrions. But, subsequently, under the influence of David Garrick and some other histrions, moving became much more realistic. David Garrick was one of the greatest histrions known. But even at his clip moving was non really popular. An histrion whose playing had offended the audience had to inquire forgiveness on his articulatio genuss before a full house before he could go on in his profession. During the nineteenth century moving became more and more realistic. Like in Shakespeare s clip, the best histrions understood the importance of the teamwork of the company. One of the most celebrated histrions of that clip was Henry Irving. He was the first histrion to be knighted. By the 1920s realistic moving reached a extremum in the public presentation of Sir Gerald Du Maurier. He barely appeared to be moving at all. At present most acting still continues to be realistic. Interior designers make the scenes every bit realistic as possible. Modern manufacturers and managers Peter Hall, Peter Brook and others are seeking out new manners of moving. Some go back to Greek methods, with a resurgence of the chorus ; others are doing usage of the audience in assisting to construe the drama. British Drama Theatre Today Britain is now one of the universe s major theaters Centres. Many British histrions and actresses are known all over the universe. They are Dame Peggy Ashcroft, Glenda Jackson, Laurence Olivier, John Gielgud and others. Drama is so popular with people of all ages that there are several thousand recreational dramatic societies. NowBritain has approximately 300 professional theaters. Some of them are in private owned. The tickets are non hard to acquire, but they are really expensive. Regular seasons of opera and concert dance are given at the Royal Opera House, Covent Garden inLondon. The National Theatre stages modern and classi # 173 ; cal dramas, the Royal Shakespeare Company produces dramas chiefly by Shakespeare and his coevalss when it performs in Stratford-on-Avon, and modern dramas in its two auditoria in the City s Barbican Centre. Shakespeare s Globe Playhouse, about which you have likely read, was reconstructed on its original site. Many other metropoliss and big towns have at least one theater. There are many theaters and theater companies for immature people: the National Youth Theatre and the Young Vic Company in London, the Scottish Youth Theatre in Edinburgh. The National Youth Theatre, which stages classical dramas chiefly by Shakespeare and modern dramas about young person, was on circuit in Russian in 1989. The theatre-goers heartily received the production of Thomas Stearns Eliot # 8217 ; s play # 8216 ; Murder in the Cathedral # 8217 ; . Many celebrated English histrions started their callings in the National Youth Theatre. Among them Timothy Dalton, the histrion who did the portion of Rochester in # 8216 ; Jane Eyre # 8217 ; shown on Television in our state. 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